Posts Tagged ‘Tinky Sings’

A Fabulous Memorial Day and Dip

Monday, September 30th, 2024

Alice as a Young Composer, courtesy of the Pyle Family

I have written before about my late neighbor, the composer Alice Parker. In early September, Mohawk Trail Concerts (MTC) celebrated Alice with an afternoon of songs she wrote and songs she loved—plus a song written in her honor. I was lucky enough to be among the performers that day.

In fact, I came up with the idea for the concert. I’m sure someone else at MTC would have thought of doing it, but I was the one who first suggested it.

When Alice died in December, I was (not unnaturally) sad. I felt for her family members, who have always been honorary relatives. And I felt for our neighborhood, which had lost one of its pillars.

I decided to do something constructive with my grief instead of just wallowing in it. First, I wrote a memorial article and radio commentary about Alice.

Then I started planning the concert.

The music began with a few hymns arranged by Alice, who was probably best known for her choral singing. The impromptu quartet of singers included Alice’s daughter Molly.

All concert photos are courtesy of Kurt Wessbach.

Molly went on to sing a couple of selections from Alice’s setting of “Songs for Eve” by another local luminary, Archibald MacLeish. (MacLeish read the poems aloud at the music’s initial performance.) She was accompanied by the Farm House Quartet, a group of musicians from our area (including MTC board members) who were dear to Alice.

Two members of the quartet who adored Alice, Maggie Speier and Roy Lewis, played Alice’s arrangement of the Gershwin song “Love Walked In.”

Their son, Jasper Lewis, played and sang a song he had written after Alice’s death about her influence on his music.

Then I took the stage (you knew I had to) with some lighter numbers, including Alice’s composition “Find Me a Man I Can Cook For,” which she gave to me to perform over a decade ago. It’s a comic song, and audiences always enjoy it.

After various people, including Alice’s son David, got up to share memories of Alice, we ended with a sing along. Her family and former students joined me for the final song, “He’s Got the Whole World in His Hands.”

And then we drank a toast to Alice and nibbled on contributions from the MTC board and their spouses.

My favorite nibble of the day was the layered-hummus dish prepared by Daphne Bye, a pianist who is married to MTC’s executive artistic director, Mark Fraser.

Daphne has an extensive garden, and that garden was featured in the hummus, which was lovely to look at and lovely to eat. She served it with corn tortilla chips, but if one is grain free like Daphne one can use vegetable sticks to pick up the dip.

Daphne chops the vegetables for the hummus very finely. She even quarters her cherry tomatoes, which can’t be easy to do. The result is that each bite of hummus brings with it several different vegetable flavors, embodying the produce of late summer and early fall.

She said that she has seen similar dishes that add a layer of sour cream and/or guacamole to the hummus. Although I’m a fan of both, I agreed with her that that those might muddy the flavors of the dish.

Daphne’s Layered Hummus

All the ingredients here are more or less to taste, and one could easily double or even triple the recipe. Daphne tends to end up with 1 to 2 cups of chopped vegetables of varying colors. She suggests adding, or substituting, other vegetables according to preference.

Ingredients:

8 to 16 ounces of hummus
finely diced red bell pepper
finely diced black olives
finely diced red onion
finely diced scallions
finely diced cucumbers
quartered cherry tomatoes
chopped herbs: basil, parsley, or cilantro (I think she used basil when she served this to me.)
a generous drizzle of olive oil

Instructions:

Spread the hummus on a small platter. Top it with the vegetables and the chopped herbs. Drizzle olive oil over all. Serve with tortilla chips, gluten-free crackers, or sliced vegetables. Serves 4 to 8 as an appetizer.

Daphne snips basil.

A Summer Spread

Wednesday, July 31st, 2019

Summertime … and the food is easy!

I’m busy getting ready for my annual summer concert. This coming Sunday, pianist Jerry Noble and I will celebrate the 100th birthday of George Gershwin’s first big hit, “Swanee,” with a concert of songs by the composer and his brother Ira.

So naturally I want to name everything I cook after a Gershwin song. I recently made a blueberry crisp I dubbed “Rhapsody in Blue.” (Really, just about anything with fresh local blueberries makes me feel rhapsodic.) I’m contemplating a pork dish called “Porky and Bess.”

And every simple appetizer can be called “Summertime.”

My most recent venture into appetizers is a chipotle pimento cheese spread. I lived for many years in the American South, where pimiento cheese is a staple. Last year in Virginia, I discovered chipotle pimiento cheese in a grocery store. I thought adding the smoky flavor of chipotles (which are basically smoked jalapeños) to pimiento cheese was a brilliant idea.

Unfortunately, the product from the grocery store suffered from the same problem that much pimiento cheese encounters: it had too much mayonnaise. I consequently concocted my own chipotle version, which is (in my humble opinion) pretty perfect.

The recipe below needs some mayonnaise in order to smooth out the spread, but you shouldn’t end up with more than 1/4 to 1/2 cup of the stuff. If you’re unfamiliar with chipotles in adobo, look for them in small cans in the Latin section of a supermarket. If you’d like to see me make it on TV, follow this link.

Enjoy the summer spiciness … and do come to our concert if you’re in the neighborhood!

Ingredients:

4 ounces roasted red peppers (a.k.a. pimientos), drained (reserve 1 tablespoon of the liquid) and roughly chopped
1 to 2 chipotles in adobo, seeded if you like them mild, coarsely chopped
several turns of the pepper grinder
1 tablespoon roasted-red-pepper brine
1 to 2 teaspoons adobo sauce from the chipotle can
1/2 pound sharp cheddar cheese, coarsely grated
mayonnaise to taste (start with 2 tablespoons)

Instructions:

Place the pimientos, the chipotles, the pepper, the brine, and the adobo sauce in a mini-food processor. Whir until combined. Toss in the cheese, and combine again. Add mayonnaise until the spread achieves a silky consistency.

If you don’t have a mini-food processor, beat the heck out of the mixture with an electric mixture.

Chill the cheese blend for at least 1/2 hour. Serve with crackers or vegetables. Makes about 1-1/2 cups.

 

Centennial Songs and Recipes

Wednesday, August 15th, 2018

Like most human beings, I like thinking about summer when snow is on the ground outside. So I started contemplating my summer concert this past January when the air was crisp and cold.

I knew that Leonard Bernstein had been born in 1918 and that I wanted to salute him in the concert, particularly because I knew that he had spent some time (well, one summer) down the road from my house, at Singing Brook Farm here in Hawley, Massachusetts.

Leonard Bernstein (center) at Singing Brook Farm in 1949 with his Sister and Brother

I also knew that my voice (which is just fine but not exceptional) wasn’t up for an all-Bernstein concert. It occurred to me that the concert might be expanded to cover a range of musical figures born in 1918.

I did a little research, and it turned out that quite a few American composers and singers came into the world that year: lyricist Alan Jay Lerner, of Lerner and Loewe; Patty Andrews, of the Andrews Sisters; singer/actress Pearl Bailey; crooner/actor Robert Preston, best known as the loveable con artist in The Music Man; and many more.

I wasn’t 100 percent I wanted to make 1918 the focus of my concert until I recalled that my late mother, Janice Hallett Weisblat, was also a 1918 baby.

Baby Janice with her Mother, Clara

Jan, whom I called Taffy, didn’t have a professional-quality voice. In fact, she lost much of her vocal range singing too hard while suffering from a cold one evening when I was a small child. Nevertheless, she adored music and used the range she had left to sing her heart out whenever possible. Singing a couple of her favorite songs seemed like a wonderful way to celebrate her centennial year.

My concert, called “A Century of Songs and Singers,” will take place next Saturday, August 25 (Bernstein’s birthday), at the Federated Church on Main Street (Route 2) in Charlemont, Massachusetts. I will be accompanied by Jerry Noble, a delightful person and musician.

Please join us if you’re in the neighborhood. If you can’t come to the concert, you might like to make a dish or two from 1918 babies, as I did this week on Mass Appeal. I made Pearl Bailey’s Corn Fritters and my mother’s Blueberry Sally Lunn.

The blueberry recipe appears elsewhere on this blog as Blueberry Snap. I share the corn recipe below, along with the videos in which I make the dishes.

Pearl Bailey

Pearlie Mae’s Corn Fritters

Pearl Bailey’s “cookbook,” Pearl’s Kitchen, is pretty vague about the proportions in this recipe so I had to more or less construct them myself. I recommend her book and her music nevertheless. Pearl’s Kitchen shows off its author’s remarkable spirit. She writes:

To cook is to share, and it is as important to me as walking onto the stage to full applause. Cooking is as crucial as anything I do in life, because I like to see the smiles on people’s faces when they enjoy something I have prepared. I cook as I live.

Amen.

Ingredients:

1 cup flour
1-1/2 teaspoons sugar
1/2 teaspoon baking powder
salt and pepper to taste
1 cup milk
1 egg
2 cups lightly cooked corn kernels
butter as needed for frying

Instructions:

In a bowl combine the flour, the sugar, the baking powder, the salt, and the pepper. Make a well in the center of this mixture.

In another bowl or a measuring cup whisk together the milk and egg. Pour them into the dry ingredients, and mix. Stir in the corn kernels.

Put a pat of butter in a frying pan over medium-low heat. The butter should melt and begin to bubble but not burn. Pop in small scoops of the corn batter.

Fry on both sides. “Just let it bubble away until it browns, then turn it over,” said Pearl Bailey. Serves a crowd.

And now the videos:

Pearly Mae’s Corn Fritters

Taffy’s Blueberry Sally Lunn

To Be Perfectly Frank: 100 Years of Frank Loesser

Monday, June 28th, 2010

 
Tomorrow will mark the 100th anniversary of the birth of American composer and lyricist Frank Loesser.
 
Loesser was born on June 29, 1910, in New York City and died in 1969. He wrote or co-wrote some of our most singable songs—“On a Slow Boat to China,” “Heart and Soul,” “Luck Be a Lady Tonight,” “Two Sleepy People,” “Praise the Lord and Pass the Ammunition,” and about 700 others.
 
I’ve read a fair amount about Loesser, but I feel as though I don’t really know him. In books he comes across as contradictory. He rejected his family’s love of classical music yet longed to write an American opera. He was moody and quick to anger yet nurturing of his peers. He worked far too many hours yet loved parties. 

 
The man I can’t quite find in print comes across in his music as brilliant, playful, and intuitive. He knew how to structure a musical number so that it was easy to sing yet constantly surprising. And he knew how to reveal character through song.
 
His Guys and Dolls, to me the quintessential Broadway musical, illustrates this attention to character. Nathan Detroit’s passive yet sincere love for his longtime fiancée shines through “Sue Me.”
 
Sky Masterson shares his love of the city and his secret longing for connection to others in “My Time of Day.” Shy-no-more heroine Sarah lets her wild side peal in “If I Were a Bell.” And Miss Adelaide’s language and lifelong dilemma are defined in “Adelaide’s Lament.”
 
The lament exemplifies one of Loesser’s other strengths—his ability to translate colloquial conversation into music and lyrics. Miss Adelaide’s voice goes up (as mine certainly would!) whenever she gets particularly agitated contemplating her perpetually ALMOST married state: 

When they get on the train for NIAG’RA
She can hear CHURCH bells CHIME.
The COMPARTMENT is AIR CONDITIONED
And the MOOD sublime.
Then they GET OFF at SARATOGA
For the FOURTEENTH TIME!!!
A person can develop la grippe….
 

I look forward to learning more about Loesser tomorrow evening as I remain glued to the TV (well, actually, I’ll probably save some of the material for later viewing via TiVo) watching Turner Classic Movies’ salute to Loesser.
 
The lineup will include How to Succeed in Business without Really Trying (1967; star Robert Morse will co-host the TCM evening!), the 2006 documentary Heart & Soul: The Music of Frank Loesser, and several other films.
 
Although there are several gems to choose from I wish one of the films were Hollywood Canteen (1944), which features Bette Davis singing (!) the first Loesser song I ever performed, “They’re Either Too Young or Too Old.”
 
I couldn’t dream of emulating La Bette’s perfect diction. On the other hand, I can of course sing rings around her.
 
I’ll also learn about Loesser as I rehearse for—you guessed it—MY OWN LOESSER CENTENNIAL TRIBUTE WITH ALICE PARKER! 

This will take place on Saturday, August 21, at the Green Emporium in Colrain, Massachusetts. (See fabulous poster below.)

 
Alice and I are still planning the program so if readers have a favorite Loesser song they should suggest it now! 
 
Meanwhile, in tribute to tomorrow’s anniversary here is a special seasonal cocktail. It’s appropriate for two reasons. First, it was invented by my friend Michael Collins, the chef at the Green Emporium.
 
Second, I MUST have something to hold in my hand when Donald Freeman and I perform “Baby, It’s Cold Outside,” another song that shows off Loesser’s way of turning conversation into song.
 
“Baby” is one of Loesser’s famous overlapping songs, in which characters (in this case “The Wolf” and “The Mouse”) sing complementary music and lyrics over each other.
 
According to Loesser’s daughter Susan, the composer and his first wife Lynn Garland Loesser performed this song privately many times. She quotes her mother as saying: 

We got invited to all the best parties for years on the basis of “Baby.” It was our ticket to caviar and truffles. Parties were built around our being the closing act.

(Time Life)

 
Eventually, Loesser sold the song to MGM to be sung by Esther Williams and Ricardo Montalban in the 1948 film Neptune’s Daughter.
 
Lynn Loesser was deeply saddened, but “Baby” won her husband his only Academy Award for best song. (As time went by he managed to scoop up a couple of Tonys and a Pulitzer as well.)
 
On August 21 as Don (doing his best Ricardo Montalban impression) finishes the line, “Beautiful, please don’t hurry,” I’ll pop in with,
 
“Well, maybe just a half a drink more………….” 

Let’s all raise our glasses to an American original!

 
 
Chef Michael Collins informs me that he was inspired to create this cocktail by my late neighbor Florette, who made a mean rhubarb tea.
 
I have tried it three ways—with rum (as described below) at his restaurant, with a little Grand Marnier at home when I couldn’t find rum, and in “virgin” form with a little pink lemonade for my young friend Audrey. I like it all three ways.
 
Ingredients:
 
for the base:
 
6 cups water
1 cup sugar
2 cups chopped rhubarb
2 cups strawberries, cut in half
1/2 lime
1 tablespoon grenadine (optional–for color; I found with really fresh fruit I didn’t necessarily need it)
 
for the cocktail:
 
1 cup cocktail base (see above)
2 ounces white rum
lime juice as needed for rimming
sugar as needed for rimming
 
Instructions:
 
Bring the water to a boil. Add the sugar and stir. When the sugar has dissolved add the fruit.
 
Reduce the heat to very low and simmer, uncovered, for 20 minutes, until the fruit breaks down. Toward the end of this process add the grenadine if you are using it.
 
Allow the mixture to cool. Remove the half lime (DO NOT FORGET THIS STEP!), and place the liquid in a blender in batches. Blend it; then strain it, first through a strainer (don’t try to push the fuzz down through the holes) and then through cheesecloth.
 
Place it in a jar and keep it refrigerated until it is needed.
 
To make a cocktail (or two): Place the rum in a cocktail shaker, and add ice. Pour in the cup of cocktail base. Shake.
 
Pour a little lime juice around the rim of 1 large or 2 small glass(es), and dip it/them in sugar so that the sugar coats the rim(s). Strain the drink into the glass(es). 

The drink recipe serves 1 to 2. The base makes about 6 cups.

Audrey drank this cocktail with pink lemonade instead of rum.

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